Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her.
Jude-broken, rebuilt, fueled by anger and a sense of powerlessness-has never recovered from watching her adoptive Faerie father murder her parents. The book closes with a tidying-up epilogue and even a bonus story, “Aught but Death,” which focuses on Cordelia and Lucie.įiendishly romantic from start to (eventual) finish.īlack is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy. The love matches among the tight circle of friends are notably diverse, involving couples whose various members include some who are part Indian or Persian, those who are gay or straight, and even the formerly undead. The scream of someone in anguished pain.” Eventually Belial does get around to launching his evil scheme to take over London and then the world despite already bleeding from two wounds previously dealt by legendary magic sword Cortana. The angular figures posing stiffly in Curte’s randomly scattered tableaux do little to either raise or turn down the heat of a narrative that runs to lines like: “He was about to crush his lips to Alastair’s…when a scream split the air.
With 11 ensemble characters (not counting the odd Greater Demon) to juggle, Clare uses up most of her chunky page count untangling the romantic snarls of the first two volumes-plus chucking in occasional attacks by lesser demons or raving maniac Tatiana Blackthorn to give her demon-slaying Edwardian-era Nephilim something to do besides steamily tonguing one another, lengthily weltering in secret longing and self-loathing, or (at last!) explicitly consummating their ardor. Belial, Prince of Hell, makes his move on London in this trilogy closer.
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